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Thursday, September 27, 2007
john quincy adams
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ratatouille
Have you seen the film "Ratatouille"? The author-illustrators use animal images to stand for race and class. (Think of Maus.) I propose to add it to the canon of Whig literature. The story is about the encounter of an old world civilization with democracy, and the ending is a happy one, albeit not sentimental. Civilization is the art of living, and can be enjoyed by anyone, even a rat. But art cannot be made by anyone, only a genius can work the magic it requires. A genius can come from anywhere, however, can even be a rat. The enemies of art are the twin dangers of democracy, commerce and politics. A rat chef evades them, by practicing his art in a modest cafe, for both humans and rats. (This is Henry James's The Tragic Muse, in which a Jewish actress revives English drama, which had been decimated by commercialism and government censorship.) Well, yes, I know "Ratatouille" is just an animated cartoon. But that is the point, non?
Monday, September 17, 2007
back from maine
So I look at this image and think of the work that I have been doing recently, the biographies of Henry James and Oliver Wendell Holmes. Two more different men can hardly be imagined, and yet their lifelong friendship was founded on what they shared. A common admiration for the art of life, for instance, which for both of them was to be seen and learned in Europe. This art rested on the freedom that a few people had gained as the profit of centuries of injustice. They each knew that bleak truth, and each in his own way pursued the ideal of harmonizing justice and beauty, America and Europe; of creating a democratic civilization.
Each thought of his own career as a performance, and tried to make it not only beautiful but sublime (strange words to use about a lawyer, I know). Holmes and James were both poets, each in his own way; performing their own works. Fine art is the strategy of the powerless, and neither of them had much power in the material sense. Each lectured on the duties of the powerful, the self-restraint that alone provides a hope for a moral civilization. Hard to talk about any of this today, at least in the English-speaking world.
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